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Kentucky
School
of Craft Faculty
The
success of our programs at the Kentucky School of Craft will in-large
part depend on putting the students in the hands of capable instructors.
Our national search has yielded two such individuals and, while
the school year is still quite young, they have proven to be exemplary
instructors and valuable resources to the School's future planning.
"We
are assembling one of the finest group of faculty members and building
one of the finest craft facilities in the country", states Tim Glotzbach,
Dean of the Kentucky School of Craft. "I have no doubt that students
will come here from across the country, due in large part to the
reputations of these outstanding individuals."
DOUGLAS
HARLING - JEWELRY/METALS

Douglas
Harling from Greensboro , North Carolina , joins HCTC
in the position of Master Artisan in Jewelry/Metalsmithing. Doug
received his Master of Fine Arts degree in Metals from Southern
Illinois University at Carbondale . Doug's teaching experience is
rich and varied, having taught at the university level, as a resident
artist at Penland School of Craft and other professional craft programs
coast to coast. He is a master in the techniques of goldsmithing
and granulation in particular. He is as much a scientist and metallurgist
as he is a romantically, classical gold-smith. His works are intellectual,
metaphorical and rich in eclectic histories. His technical expertise
has propelled him to national acclaim as one of the rising young
stars in jewelry and metals. Doug's background in business management
coupled with his studio expertise is a definite plus for the students.
DAVID
WRIGHT - WOOD/FURNITURE DESIGN

Students
beginning their studies in furniture design and woodworking will
thrive under the expert guidance of David Wright
from Berea , KY who has owned and operated New Harmony Woodworks,
a professional wood studio, for nearly 20 years. He is considered
a Master Woodworker, specializing in the manufacture of Windsor
chairs using rived and green wood techniques. David's technical
expertise covers the gamut of woodworking processes and he possesses
a wonderfully broad under-standing of furniture design. David has
written numerous articles for various woodworking magazines and
is a regular teacher at professional craft programs, museums and
guilds. David's work has been shown in a number of regional and
national exhibitions and his work is routinely sought by individuals
from across the country.
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